Tuesday, February 8, 2011

I want to smooch ANNA and the FRENCH KISS by Stephanie Perkins

I don't read much contemporary YA.  I mean, I'm not a teen, and I spend ALL day in a high school.  So I get my share of the drama, the awkwardness, the gossip, the cattiness, the bullying, the bad decisions, and all the icky coming-of-age-ness.  I generally don't want to read about that stuff unless there's a decent dose of magic, paranormal creatures, dystopian societies, and/or zombie apocalypses.

But enough of my fav authors who write about all those speculative things raved about Anna and the French Kiss by Stephanie Perkins that I had to pick it up.  I'm so glad I read this book, because I'd forgotten about all the exciting things about being a teenager.

Secret crushes!  First kisses!  Delightfully awkward throat-clearing while your leg brushes his and you pretend you're paying attention to the movie and not stealing glances at him in a dark movie theater!

Perkins does a brilliant job of filling us with the tingly ache of falling in love.  I held my breath along with Anna as she shared her boarding school bed with Etienne.  (oh, not like that!  Remember that feeling?  That 17-year-old feeling that if you could just sleep, JUST SLEEP, with him then your world would be complete? Sigh)

I was afraid Anna and the French Kiss would be too light and fluffy, but I was relieved to find genuine characters with real problems and a wonderfully believable romance.  And even though she didn't beat-up vampires or kick zombie-ass, Anna is still a strong heroine who holds her own.

So, my challenge to you junkies:  What other YA contemporaries do you recommend?

Thursday, February 3, 2011

So, what does it all mean?

First of all, I want to thank you all so much for the support, the congratulations, the confetti, and the exclamation points when I announced my news the other day.  Thank you.  You're awesome.  You're writers.  You get it.

The reactions from my family and friends when I told them I have an agent, have been pretty interesting.  To be fair, most people didn't know I'd written a book, let alone that I was querying agents, so it's not like I'd really discussed the process with them before.

But one friend said, "Wow.  That's great.  I wrote a book in 1st grade.  Do you think it could get published?"   (no joke)

Another friend said, "Well, just make sure they don't screw up the movie version of your book.  Learn from JK Rowling and keep control over the movie.  Because you really don't want them screwing it up like they did with Percy Jackson."   (noted)

A family member immediately started lamenting what a failure she was in life and how she's never accomplished anything.  (awkward)

But most people ask the same question, "When can I buy your book?"

And my response is usually something like, "Well, let's not get ahead of ourselves here."  or "I'm just trying to take it one step at a time."

But people don't get it.  They think I'm being defeatist or self-depracating or pessimistic by not telling them the publication date of my book.  So then I try to explain the publishing process and their eyes glaze over.  So, I've come up with an analogy to help you out, when your time comes to tell your non-writer friends your good news.

Being an unpublished, un-agented, amateur writer is like being stranded on a desert island.  You don't bathe, you eat nothing but nuts and berries, and you spend your time talking to volleyballs.  All you want is to go home and sleep in your warm bed (to be published).

So, you light signal fires and spell out "HELP" with rocks on the shore (you send out query letters).  But most of the time, you feel like the world is too big and you're too small and you'll never be rescued.

An agent is your rescue.  It might be a speedy helicopter or a slow foreign fishing boat with people who don't speak your language, but it's rescue!  You're off the island, you're on your way home!  You could never get home without this rescue.

Now, just like all rescues are not the same, not all book deals are the same.  It might be all you've hoped and dreamed of and you'll sleep soundly in your own bed for the rest of your life.  Or you might go home to discover the love of your life has married someone else.  Or you might go home only to discover that the island NEEDS you and you have to go back, but when you go back, you go back in time, and the smoke monster kills everyone, and you find out you were all dead all along. What the hell, LOST?  I'm still pissed.  Anyway, you get where I'm going.

Your agent is your rescue, your life raft, your Coast Guard helicopter.  It's not where you want to be yet, but you cant go anywhere without him.

Tuesday, February 1, 2011

I fell in love with THE REPLACEMENT by Brenna Yovanoff

OK Junkies, I'm breaking my own rules to tell you about how awesome The Replacement by Brenna Yovanoff is, even though the main character is a boy.  But the girls in this book kick so much ass that I really think it makes up for it.

Mackie Doyle isn't like the rest of the people in Gentry, his small and gloomy town.  Actually, Mackie isn't even human.  His parents know it.  His sister knows it.  His best friend knows it.  Half the town might suspect it, but NO ONE talks about it.

In Gentry, babies sometimes get sick and die.  But the bodies in the tiny coffins aren't really the grieving parents' offspring.  They're replacements.

The creatures who live beneath the slag heap steal human babies and replace them with their own sick children.  The replacements all die in their cribs.  All except Mackie.

Thanks to his sister's love, Mackie has survived and grown into a teenager.  But he lives in fear that the town will learn his secret and persecute him.  He does his best to blend in, to be invisible.  He doesn't want to think or talk about the truth anymore than the next citizen of Gentry.

But when Tate's younger sister dies, she knows the corpse is not her sister.  Tate challenges Mackie to acknowledge who he is and how he can help.

One of the things I love about this book is that Mackie is not a typical hero.   He's not brave, or strong, or selfless, or any of the things we expect our heroes to be.  Mackie is sickly, poisoned by the iron in the world around him.  Sometimes he can barely walk into a room without swooning, let alone fight off bad guys.  Also, all Mackie wants is to blend in, be left alone, and survive. He stonewalls Tate to protect himself and at first he won't stick out his neck for anyone.

So that's where the girls come in.  Erin, Mackie's sister, will do anything to protect Mackie.  She puts herself in danger to save him and her strong love is what has kept him alive in a world his body rejects.  And Tate definitely earns the title of kick-ass heroine.  I don't want to spoil all the ways she kicks ass, but let's just say she's not afraid to hurt someone in order to protect herself and save her sister.

Tate is fierce.  She won't keep quiet, she won't put up with Mackie's crap.  She won't back down.  I love her.

The Replacement is a dark, creepy story.  I mean, how much creepier can you get than dead babies?  But there are also tons of universal themes.  I think every teenager has felt the urge to just fit in and be unnoticed, the strong desire to be just like everyone else.  And I know I've definitely felt like an outsider in my own family and maybe even wondered, was I replaced at birth?

Read The Replacement.  You won't be disappointed.

Saturday, January 29, 2011

Ummm so, I got THE CALL!!!!

Squeee!!!!  I have news!

I am now represented by Jim McCarthy from Dystel & Goderich Literary Management!!!!

Ok, I really have to stop with the exclamation points, but !!!!!
so, how did this happen, you ask?
Well, let me break it down for you.

For those searching for an agent, a piece of advice we often hear is "query agents who represent books you love."  Can I just say that this is the BEST advice ever?

As you know, I LOVED The Forest of Hands and Teeth and The Dead-Tossed Waves by Carrie Ryan.  So, I queried Jim McCarthy, Carrie's agent, on 1/2.  Jim requested the full manuscript on 1/10 and I got The Call on 1/19.

Being the studious agent-stalker, ahem, I mean researcher I am, I mean was, I knew Jim usually read manuscripts in about a week (he's super fast).  So, when a week had passed since I'd sent the full and I hadn't received a rejection, I was hopeful.

My cell phone rang on 1/19 in between 5th and 6th period (I teach high school).  I glanced at the number, saw the 212 area code and thought, "Is that New York?  Maybe it's Jim McCarthy calling to offer representation.  Oh, hahahaha, Alyson you are SO funny."  I declined the call.  My students were walking in.

When I finally listened to the message, my head nearly exploded.  It was like slow-motion.  I kept looking around waiting for someone to say "just kidding." But all the message said was to call him back and I was completely unprepared.

I stayed after school helping a student.  I went home.  I paced, I had a snack so I wouldn't throw up.  I looked up the right questions to ask.  I called back.  Voicemail.  I don't know how, but I slept that night.

The next morning, I had an email from Jim saying he was sorry he missed me and when could we chat?  I called him during my off-period.  I locked my classroom door and closed the blinds.  I paced among the desks and stammered.

Just hearing Jim say my title and how much he loved it, hearing him say my characters' names, hearing him talk about my book as if it was just that: an actual book, was such an enormous validation.  I was no longer some crazy girl with people in her head, mumbling to herself in a corner with a laptop.

I was a blabbering idiot on the phone.  "Umm, yeah, oh my god, yeah, thank you, umm, I'm exited, umm," but I tried to ask my list of questions.  When he offered representation it took all my strength not to jump up and down and scream.  Two other agents had the manuscript.

I emailed the other 2 agents, letting them know of the offer and that I wanted to make a final decision in a week.  One of the other agents offered and I spoke with her on the phone, but it was never a difficult decision.  I mean OMG, I have the same agent as Carrie Ryan!  OK, I also have the same agent as many really amazing writers whose books have now moved to the top of my TBR pile.  But like, I totally want to be Carrie Ryan when I grow up!  (oops sorry, does that sound stalkerish?  I'm not a creeper, I swear).

OK Junkies, thanks for letting me share my news!  Good luck to all those queriers out there.  It can happen, don't give up!

Wednesday, January 12, 2011

MATCHED by Ally Condie lives up to the hype

I don't know why I'm always surprised when I fall in love with the latest hyped-up, buzzed-about YA novel.  I guess all you bookish people on the interwebs are pretty awesome and I should really learn to trust you.  And because y'all are so awesome, one of my goals for the new year is to spend more time with you and blog more.  I really feel like the guy at work who calls in sick EVERY Monday and then on Tuesday in the lunch room, everyone asks if he's feeling ok and he just looks away, nods, and changes the subject.

Soooo anyways....Matched!  It's awesome!  You should read it.

Ally Condie creates a dystopian world reminiscent of the classics.  The Society incinerates history, art, and literature a la Fahrenheit 451.  Similar to A Brave New World, citizens are controlled through extreme division of labor, regimented recreation, and mandated drugs.  The pervasive technology, misinformation, a mysterious and far away war, and the ever-present sense of being watched reminded me of Nineteen Eighty-Four.

But Matched leaves the classics in the dust and gives us what they don't: a strong heroine, passionate romance, and hope.

We meet Cassia on the eve of her Match banquet, where she'll find out who the society has matched her with for marriage.  The other 17-year-olds meet their matches from other cities and provinces via video phone.  But Cassia's screen is black because her match is in the same room.  It's her best friend, Xander.  She's thrilled, but when she takes her microcard home to learn more about her match, another face flashes on the screen.  Cassia confides in the only person she can, her grandfather, and he asks if she ever wonders...

Cassia's rebellion starts small and is thrilling to watch as it grows.  In the beginning, she honestly believes the Society knows best, but slowly she pulls back the curtain to catch a glimpse of the man behind the wizard.    

The Society differs from other dystopian governments in that it seems to actually believe it's acting in its citizens best interests.  For me, a good-intentioned but misguided fascist government is way more terrifying than a malicious one.  Cassia is savvy, intelligent, and tough enough to outsmart the oppressive Society.  And it's so much fun watching her do it.

Cassia experiences her first real choice and gets a small taste for freedom, which leaves her willing to risk everything for more.  Classic dystopian novels present characters with a life in which happiness and fulfillment are impossible.  Matched is wonderfully brave in that contentment is easily attainable for Cassia within The Society's walls.  Cassia knows she could have a loving marriage, a job she likes and is good at, and a happy healthy family if only she shuts up and goes along with The Society's plan for her.

But she's courageous enough to not settle and want more: true love.  And isn't that what all the best stories are about?  The battle for true love?

I read Matched during my ski vacation and I found myself on a chair lift, anxious to get back to see how Cassia will get herself out of trouble.  Matched is hard to put down and I recommend it to any fans of YA and/or Dystopia.